Set in motion by the strange appearance of the Croatian masterpiece and key exhibit in the Museum of Contemporary Art Zagreb ‘Pa-fa-ma’ by Jossip Seissel, Nicholas Brady (Target Audience) sets off on a nervous space journey from the permanent collection of the museum, through the fantastic hallucinations of Philip K. Dick’s satellite of political dissidence Valis, and into the potentials of disorderly conduct by teenagers frequently targeted by modern art institutions as educable audience.